From The Bottom Of An Old Grandfather Clock (reissue, 2004) DEAD OCEANS

New year, new albums bonanza: expect records in ...

→ Last Sunday I did a talk at the Anteros Arts Foundation, an art gallery and charity in Norwich. It was a fundraiser for Anteros, as I have had a studio there and love what they do. The story I offer

Fifty years on from their first successes, Roger McGuinn, the 12-string architect of THE BYRDS , tells Uncut about their exceptional first 18 months – and his relationship with Gene Clark. As the young group make their jet-powered escape from the folk think tank, we hear about making the scene on the Strip, outraging Iowa and a muted response in the United Kingdom. But ultimately how “Eight Miles High” became the spectacular conclusion of the band’s first era. “I almost left The Byrds entirely to go and be in this space band With Dino Valente,” McGuinn tells John Robinson

When Blur won four trophies at the BRIT Awards on 20 February 1995, the band changed forever. Britpop, or whatever you want to call that scene, had entered the mainstream. After the success of Parklif

Early Steps RHINO/WARNER BROS.