Musical chameleons Ulver have reinvented themselves yet again. With their 14th album, they’ve turned away from the progressive synthpop of their recent releases and delivered something more atmospheric. Mainman Kristoffer Rygg looks back on the personal strife and decades of deviation that have paved the way for Neverland.

Had Robin Holloway published Music’s Odyssey—described by its author as “an invitation to the glorious long voyage of Western classical music”—30 years ago, he might well have got away with it. By day

In my more musical complex areas, what I do still feels to me like popular music.” If you’ve been keeping up with the adventures of Bruce Hornsby, you’ll know that, ever since officially going solo wi

Big Big Train cofounder Gregory Spawton on the records, artists and gigs that are of lasting significance to him.

Prog polymath is heading back to the Royal Albert Hall and announces a hi-res platform for his digital albums.

Gong ’s music has always been out of this world, but on their latest offering, Bright Spirit, they transcend darkness with a hefty dose of glissando and a pinch of System 7. Frontman Kavus Torabi, bassist Dave Sturt and guitarist Fabio Golfetti tell Prog how the third part of their latest trilogy has re-energised them and why they’re looking forward to getting back onstage.