The British guitarist mashing up prog genres to build his ultimate wall of sound.
“I WANT IT to be a celebration of instrumental guitar in all its forms,” says Michael Astley-Brown, the man behind Maebe. Raised in the Cotswolds, Astley-Brown grew up on grunge and pop-punk before discovering the joys of post-rock at university. Hearing Mogwai proved a transformative experience, because“it made me realise I don’t need a singer to get my ideas across”.
The love of guitar led to a career in music journalism writing for Guitar World before a series of personal upheavals provided the impetus for Maebe’s eponymous 2020 debut.“I was like,‘The shit has really hit the fan, why don’t I try to do this thing I’ve always wanted to do? I’m going to make an album.’”
On Maebe and now Rebirth. Relive. Repeat.,Astley-Brown played or programmed everything himself, cherry-picking concepts from multiple progressive genres.“I wanted to pull from the post-rock soundscapes, the math rock slightly wonky riffs, and I’m a big Joe Satriani guy, I grew up on that shred stuff as well,” he says.“That sense of melody is something I felt I could bring into a post-rock, math rock context without it verging into cheesy 80s shred territory. It’s striking that balance.”
On Rebirth. Relive. Repeat., Astley-Brown wanted everything to be dreamier, heavier and more melodic. “It’s a bit of a cliché but I do want to take the listener on a journey, and I want each song to be almost its own dimension that the listener can get lost in,”he says.
“That’s what drove me to do so many guitar layers and different sounds, but also keeping the melody very much at the forefront. I tend to make every song quite epic. It’s probably th
