MOVING THROUGH SOME
The short-lived Drama era in 1980 was almost the death of Yes. Yet three years later, the heroes of British progressive rock had been completely reinvented with massive worldwide success. In 90125 they had their biggest-selling album and a worldwide hit single. On the record’s 40th anniversary, we look back on how a new band without a deal became an 80s success story.
In January 1981, Yes met at Steve Howe’s house in Hampstead. The previous year had been a fraught one for the band: following the departure of Jon Anderson and Rick Wakeman, the three remaining members – Chris Squire, Alan White and Howe – had recruited Trevor Horn and Geoff Downes from the new-wavers The Buggles. The resulting album, Drama, remains a fan favourite, but was created under extreme pressure with a US tour only months away. During the shows that followed, Horn frequently struggled to fill Anderson’s shoes. All was not well.
Horn was effectively fired after the tour, and Squire and White announced a plan to form a new project with Jimmy Page of Led Zeppelin. This left Howe and Downes holding the baby, with no appetite to continue as Yes. Within months, the remaining duo joined forces with John Wetton and Carl Palmer to form Asia, while Horn made the second Buggles album and started a production career. Thenmanager Brian Lane was horrified: he’d lost Yes and the band went on to lose their record contract with Atlantic.
The few months that White and Squire spent rehearsing with Page as part of XYZ are the stuff of legend. Page, himself reeling from the death of John Bonham just months before, was initially enthusiastic and the trio pooled material, producing several demos. It didn’t take long, however, before the relationship began to fall apart, scuppered by both musical and managerial disagreements. At a loose end once more, the pair teamed up with lyricist Peter Sinfield and recorded a Christmas single, Run With The Fox, which was released towards the end of 1981. It’s since become something of an unsung classic in the Yuletide sing-along genre.
Although XYZ never recorded an album, it’s clear that the two former Yes men had music in mind that was a little more contemporary in tone, even compared to the energetic prog of Drama. Some pieces from those rehearsals would wind up on later Yes albums: the Squire song Telephone Secrets, which never found a home with Yes, shows a band combining musical chops with commercial aspirations. This would become the template for their new band, Cinema.
Meanwhile, South African guitarist Trevo
