EARLIER this month, English director Emerald Fennell’s interpretation of Emily Brontë’s “Wuthering Heights” hit cinemas. Fennell’s take on the literary classic divided audiences even before its releas

THE MARK OF A GREAT, TOUGH BOOK MAY NOT be how many literature classes it’s taught in but how many film or TV adaptations you can drape on its branches without breaking them. Dramatizations are tricky

Collectors of rare books, and of those written by the Brontë sisters in particular, won’t mind that Emerald Fennell’s new film adaptation of Wuthering Heights takes considerable liberties with Emily B

Theatre: Dracula Noël Coward Theatre, London WC2 ...

WHEN Kate had decided, at the age of fifty-five, to reduce her working hours and go part-time at her job, she had imagined filling her extra days off with all kinds of exciting adventures. Instead, sh

In the wake of Peter Gabriel’s departure, GENESIS faced an existential question: carry on, or call it a day? Looking back 50 years, band members revisit the fraught months after their first frontman’s exit – and the creative surge that set the scene for one of rock’s most improbable second acts. “The band was meant to be dead and buried,” learns Peter Watts. “But we refused to lay down and die.”