BY THE SUMMER of 1974, King Crimson had reached critical mass. Albums like In the Court of the Crimson King (1969), Larks’ Tongues in Aspic (1973) and Starless and Bible Black (early 1974) had seen th

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What an incredible 2025 it’s been in the world of prog. This year, we’ve taken a different approach to our Critics’ Choice and instead of printing our writers’ Top 20 lists, we’ve pooled them to create a definitive Top 50 with profile pieces on some of the key players. Did your favourite make the cut? We look forward to reading your thoughts on the results.

To connoisseurs of excess, The Power Station’s sole tour is the last word in 1980s debauchery. It’s become what the band were most famed for. That side was certainly there. But so, too, was Andy and J

Marillion guitarist Steve Rothery embraced his more electronic side this year with Bioscope, his soundscape project with Tangerine Dream’s Thorsten Quaeschning. But he’s not ditching the day job: work is well underway on Marillion’s next studio album, and there’s his long-awaited collaboration with a certain Mr Hackett still to come.

Every month we get inside the mind of ...