Stewart copeland

“I used to watch a lot of telly as a kid,” says Jarvis Cocker, relaxing on a sofa in the meeting room at Rough Trade Records HQ in Notting Hill. “It would give me a representation of the world that wa

The electro super-producer on Bob, Bruce, Beastie Boys’ food fights and upsetting Fleetwood Mac

When the Irish band were a folksy blues three-piece, it was Eric Bell who defined Thin Lizzy on their 1971 self-titled debut and early 70s follow-ups, Shades Of A Blue Orphanage and Vagabonds Of The Western World

With his cape and on-stage curry, he defined prog rock excess. Breakdowns, penury and near-death were the prices paid, but somehow the baroque synth lines and droll quips kept flowing… and still do. “I’m my own worst enemy,” laughs Rick Wakeman.

FOR A HALF-CENTURY AND COUNTING, THE THIN LIZZY SOUND HAS BEEN FORGED AND RECAST BY SCOTT GORHAM AND THE GREATS WHO PARTNERED HIM ON DUELLING LES PAULS, INCLUDING THE LATE JOHN SYKES. GORHAM LOOKS BACK ON THE HIGHS, LOWS, JOY AND PAIN OF HIS CLASSIC PARTNERSHIPS

From Ken Kesey’s Acid Tests to extended residencies at Las Vegas’s hi-tech phenomenon the Sphere – and, soon, the storied stage of the Royal Albert Hall – it’s been a long, strange trip for BOBBY WEIR . But the guardian of the GRATEFUL DEAD ’ s legacy still has further to go. “Am I still on the bus now? Yeah, I am,” he tells Nick Hasted