Ed’s letter

The great and good of progressive music give us a glimpse into their prog worlds. As told to Grant Moon.

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Kate Bush ’s fifth album combines hit singles with a seven-song conceptual suite, all expressing the unmistakable style of one of progressive music’s most uncompromising visionaries. To mark 40 years of inspiration, The Anchoress, Within Temptation’s Sharon den Adel, Auri’s Johanna Kurkela, The Blackheart Orchestra’s Chrissy Mostyn and Exploring Birdsong’s Lynsey Ward celebrate the enduring magic and influence of Hounds Of Love .

Forty years ago this September, Kate Bush released Hounds Of Love . Her fifth studio record reinstated her position as one of the most innovative and creative artists of all time and yielded the (future) chart-topper Running Up That Hill . But its creation wasn’t always smooth. Here’s the story behind one of Bush’s best-loved albums.

Strawbs co-founder Dave Cousins died in July following a long illness. The singer, songwriter and guitarist enjoyed an active musical career spanning more than six decades and has been name-checked by many musicians as a key influence and inspiration. We reflect on his rich legacy and reveal plans for a number of posthumous releases, including the long-awaited new Strawbs album.

Born in the titular Kent city in the late 60s, the Canterbury scene spawned some of prog’s most creative and quirky acts. From The Wilde Flowers and Soft Machine to Caravan and Gong, each had a distinctive sound and, in many cases, image that captured the hearts and minds of their followers. But the scene’s impact didn’t end in the 70s. Phil Howitt, Facelift editor and Hugh Hopper’s biographer, explores the new breed of progressive acts inspired by it, both consciously and unwittingly, and unearths the secrets of the ‘Canterbury chord’.