Sounds of love

Forty years ago this September, Kate Bush released Hounds Of Love . Her fifth studio record reinstated her position as one of the most innovative and creative artists of all time and yielded the (future) chart-topper Running Up That Hill . But its creation wasn’t always smooth. Here’s the story behind one of Bush’s best-loved albums.

Renowned Italian photographer Guido Harari snapped Kate Bush during the commercial peak of her career from 1982 to 1993. In an extract from his book The Kate Inside , he offers a fascinating glimpse into what it was like to work with the singer-songwriter and how the Hounds Of Love press images came about.

In 1974, Mike Oldfield defied the critics and hit the top of the UK charts with Hergest Ridge, the ambitious follow-up to his unexpectedly successful debut Tubular Bells . To coincide with the release of the 50th-anniversary edition, the musician, his siblings and collaborators recount the story of an album created by an overwhelmed 21-year-old taking refuge near the Welsh borders.

The great and good of progressive music give us a glimpse into their prog worlds. As told to Grant Moon.

The newly reconfigured band throw open the doors on an expansive sixth album. By Victoria Segal. Illustration by Quinton Winter.

Born in the titular Kent city in the late 60s, the Canterbury scene spawned some of prog’s most creative and quirky acts. From The Wilde Flowers and Soft Machine to Caravan and Gong, each had a distinctive sound and, in many cases, image that captured the hearts and minds of their followers. But the scene’s impact didn’t end in the 70s. Phil Howitt, Facelift editor and Hugh Hopper’s biographer, explores the new breed of progressive acts inspired by it, both consciously and unwittingly, and unearths the secrets of the ‘Canterbury chord’.