EARLIER this month, English director Emerald Fennell’s interpretation of Emily Brontë’s “Wuthering Heights” hit cinemas. Fennell’s take on the literary classic divided audiences even before its releas

Unstoppable force By Lucy Feldman TEYANA TAYLOR IS BALANCING A WORKLOAD that borders on ridiculous. On the day we speak, her to-do list includes participating in a Q&A about One Battle After Another,

Oh boy, at age 16 I can almost divvy my interests up as a 70/30 focus on the world. Seventy per cent was music. I was playing in a punk rock band, while also playing in a Joy Division-inspired new wav

It was my father, Mir Murtaza, who taught me to love dogs. We were on our own, my recently divorced father was now a single parent to a four-year-old girl. He was in exile in Syria after his country h

Had Robin Holloway published Music’s Odyssey—described by its author as “an invitation to the glorious long voyage of Western classical music”—30 years ago, he might well have got away with it. By day

Following Richey Edwards’ disappearance and the “commercial disaster” of The Holy Bible , the MANIC STREET PREACHERS were told that this is the end. Instead, they roared back with an unassailable anthem heralding one of the biggest British albums of the ’90s. Sam Richards celebrates 30 years of Everything Must Go : “It was the most spectacular feeling,” says Nicky Wire. “That period when you go over the top...”