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WHAT IT’S LIKE …
Big orchestral flourishes, memorable themes, expansive action set pieces… These were once a staple of film music, but these days you are perhaps even more likely to hear such things coming from your T
Steven C Smith Oxford University Press 978-0-197-68128-2 312pp (hb) £31.99 Theirs remains one of the most thrilling composer-director collaborations of all time, and while Bernard Herrmann and Alfred
Andrey Gugnin (piano) Hyperion CDA684712 83 mins This album of Russian ballet transcriptions sparkles like a glass bauble hanging amidst the fairy lights. Tchaikovsky and Stravinsky wrote so colourful
Kahchun Wong remembers vividly the moment it happened. ‘With an orchestra, you know it when it clicks, when there is a chemistry,’ he recalls. ‘I went to the first rehearsal without any expectation. I
‘We’re going to have a tonal centre and tap our feet, and that’s the way it is.’ Steve Reich is in full flow, talking to me from his home in New York. ‘The big break, the knife down the line, was betw
Singer/guitarist/ Time Lord Peter Capaldi on the records, artists and gigs that are of lasting significance to him.