Electric shock

BOB DYLAN ’ S 18th BOOTLEG SERIES INSTALMENT – THROUGH THE OPEN WINDOW – IS AN AUDIO ANALOGUE TO A COMPLETE UNKNOWN: AN UNFURLING DOCUMENT OF A SEARING YOUNG TALENT IN THE ACT OF BECOMING. BUT BECOMING WHAT? ROCKER? FOLKIE? LOVER? POET? POLITICIAN? DIGGING INTO PREVIOUSLY UNRELEASED MUSIC FROM 1956 TO ’63, MOJO MARVELS AT DYLAN’S FIRST GREAT PHASE ALONG WITH ITS STILL-STUNNED EYEWITNESSES. “IT WAS EARTH-SHAKING,” THEY TELL DORIAN LYNSKEY .

No one notices Bruce Springsteen. He makes no effort to hide—black T-shirt, blue jeans, Wayfarer sunglasses, honky-tonk cowboy boots—but for a few minutes, the most famous son of the Jersey Shore achi

THE BEST OF GREENWICH VILLAGE 1950-1965

I guess my main preoccupations at 16 were just trying to stay out of trouble. I was incredibly unsuccessful with finding girlfriends and things like that. Really, very, very unsuccessful. I think I wa

IN THE LAST 25 years, Joe Bonamassa has dropped 16 studio records. That’s a lot of music, meaning it’s hard to keep things fresh — and his latest, Breakthrough, despite its title, doesn’t even try to

SLASH WAS THERE when, in the aftermath of Guns N’ Roses’ 1987 debut album, Appetite for Destruction, the band suddenly exploded onto a chaotic arc from Sunset Strip hopefuls to one of the biggest, mos