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THE FINAL FRONTIER
Remembering the Oscar-winning art director
Screen break Tanya Combrinck finds out that creative talent alone won’t open doors to the movie industry
LIKE Michael Caine and Albert Finney, Terence Stamp was one of a new wave of working class actors who came into vogue in the 1960s. His brooding good looks and piercing gaze mesmerised cinemagoers in
Lee Miller threw herself into life, dancing at Surrealist balls, taking fashion to Blitz-torn streets and dreaming up blue-spaghetti recipes, all the time intoxicating men and fighting inner demons, as Mary Miers reveals
AFTER MORE THAN HALF A CENTURY, HOLLYWOOD STILL CAN’T LURE THE GILL-MAN BACK TO THE BIG SCREEN
LETTER OF THE MONTH THAT’S GOLD, JERRY! Your ...
Planes, trains – and snowmobiles
