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Caroline Saunders talks to Melissa Scott-Miller about her portraits of Lo
What paints do you favour and why? I use mostly Golden Heavy Body or Fluid Acrylics. The colour is phenomenal and much stronger than other makes. Mixed media technique is another favourite: I can incl
BEFORE SARAH JANE BROWN BECAME A PAINTER, she learned to read the sea. Not in the romanticised, windswept sense; but practically, viscerally, day after day. With over two decades working on the water
I STUDIED AT GOLDSMITHS AND THEN CENTRAL SAINT MARTINs in London, where I was tasked with capturing the energy of the city. These elements of vitality and motion have remained an integral part of my w
THOMAS W SCHALLER IS AN INTERNATIONALLY-ACCLAIMED WATERCOLOUR ARTIST based in New York. He is the winner of numerous awards, including from the Institute of Classical Art and Architecture, the America
LUCIA LEYFIELD IS NOT AN ARTIST prone to grand statements. Her work speaks in subtle tones: sketchbook pages filled with weathered doorways, overheard conversations or fragments of wild gardens. A let
I knew at a very young age I was an artist. It was a calling for me. I was also fortunate to have a mentor in my teenage years; he was an accomplished artist and professor of art at a local college. H