Why watercolour?

Years ago, my eyes were opened to the economy and power of watercolour when I saw ‘View from Monte Mario of the River Tiber’ by Claude Lorrain in the British Museum. You can still relive the energy an

Years ago, my eyes were opened to the economy and power of watercolour when I saw ‘View from Monte Mario of the River Tiber’ by Claude Lorrain in the British Museum. You can still relive the energy an

During my recent visit to London, a sudden downpour completely transformed the energy of Piccadilly Circus. While others hurried for cover, I stood mesmerised by how the rain softened the city’s sharp

Watercolour painting requires planning. Most paintings are done in layers, working from lightest to darkest and using the white of the paper as a highlight. So how do you approach a media that is hard

AT THE HEART OF MY OWN PRACTICE lies observation and my wish to capture atmosphere of the place, wherever that may be. To achieve this, I like to work en plein air observing the new scenes and alla pr

When I first started painting with watercolour I encountered an ongoing problem: how to keep the paints moist. I used everything from a wet sponge in the palette to wrapping in clingfilm, but nothing