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In the second of three articles on painting animal portraits in pastel, Emma Colb
I HAVE ALWAYS BEEN FASCINATED BY THE MONA LISA. Not just because it is famous, but because the more you look, the more you notice: the softness of the shadows, the quiet glow in the skin, the way the
Every room scheme in this smart west London home, created by Hám Interiors, illustrates how being confident with colour pays off
AT THE HEART OF MY OWN PRACTICE lies observation and my wish to capture atmosphere of the place, wherever that may be. To achieve this, I like to work en plein air observing the new scenes and alla pr
Sharon Ingoldby takes furniture painting to a new level, transforming old and neglected pieces with charming folk art-inspired pattern and colour
You will learn Using a restricted palette Breaking your pastel for sharp lines Highlighting areas for a moonlit effect You will need Surface: Sennelier La Carte pastel card, 7x5in (18x13cm) Pastel col
A s we edge closer to spring, I find myself daydreaming about morning walks that no longer require five carefully chosen layers just to stay warm. That said, I’m far less confident that a change in se