Whimsical nostalgia

BEFORE SARAH JANE BROWN BECAME A PAINTER, she learned to read the sea. Not in the romanticised, windswept sense; but practically, viscerally, day after day. With over two decades working on the water

What paints do you favour and why? I use mostly Golden Heavy Body or Fluid Acrylics. The colour is phenomenal and much stronger than other makes. Mixed media technique is another favourite: I can incl

Acclaimed landscape artist Sarah Adams shares how the tides, geology and ever-shifting light of the Cornish coast shape her immersive oil paintings

THOMAS W SCHALLER IS AN INTERNATIONALLY-ACCLAIMED WATERCOLOUR ARTIST based in New York. He is the winner of numerous awards, including from the Institute of Classical Art and Architecture, the America

WITH more than a hint of nerves, I slide into an empty seat in the auditorium for my first university lecture. I look down the aisle hoping to see a friendly face, but there is no-one I recognise, whi

The vibrancy in Cathy Pearce’s work comes from the high percentage of pigment in her pastels. Her expressive and wild pastel painting Bright and Early was winner of The Artist award in the recent Past