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Paul Riley explains how to tackle the difficult subject of portraits in waterc
I love to take a sketchbook with me when I’m out in the countryside. I can make detailed drawings, quick watercolour sketches, or add just a few brief marks with a pencil or pen to remind me of the sc
Gouache is a versatile, opaque medium providing great covering power and the ability to correct errors very easily. The range of colours is relatively small compared to other media, but gouache colour
This second article further explores the idea of using subtle drip marks to form atmospheric structures in paintings, which we saw in last month’s edition. Paint drips can be encouraged into wonderful
Sometimes the sky in your painting can be quite plain and isn’t meant to be a major part of the subject matter. On other occasions, however, it may be the subject itself or create drama and contrast i
Follow along as Eliza Ivanova explains her process for colouring artwork digitally without losing that innate sketchbook charm