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Paul Riley explains how to tackle the difficult subject of portraits in waterc
Every painting’s varying subject matter and scale offers us distinct opportunities and challenges. Before I start any project, I like to consider what I want to convey, what opportunities and challeng
THIS ARTIST IS A PROFESSIONAL working from her London studio in a mix of oils, charcoals and pastels. In addition to portrait painting, she teaches privately and holds weekly classes, while she has ex
THIS PORTRAIT BEGAN LIFE as a pile of old magazines: pages full of colour, text and typography just waiting to be reimagined. I’ve always loved how collage can transform the ordinary into something co
I STRUGGLED INTO MY LAYERS, picked up my light sketching kit and off I went up into the hills behind where I live. I wasn’t the first to arrive; halfway up the hill I could already hear the cries of e
About two years ago I received a commission that required a large amount of detail painting. I immediately remembered my lounging airbrush. On digging it out, I realised I had a lot to learn. I turned
When I came across a gorgeous photo of a red squirrel, I felt the urge to immortalise his cheeky face and create the tactile textures on the tree trunk that the squirrel was hiding behind. The out-of-