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In the second of his four-part series on painting night scenes, Barry Herniman turn
I STRUGGLED INTO MY LAYERS, picked up my light sketching kit and off I went up into the hills behind where I live. I wasn’t the first to arrive; halfway up the hill I could already hear the cries of e
Westminster Bridge is one of those quintessentially London locations that has been painted many times before, but with this piece, my aim was something different. Here I wanted to capture not the land
Every painting’s varying subject matter and scale offers us distinct opportunities and challenges. Before I start any project, I like to consider what I want to convey, what opportunities and challeng
SOMETIMES MAKING LIFE SIMPLER FOR YOURSELF and avoiding overthinking a process gets you further. In painting terms, using flat colours does exactly that and it may even prove to hold the key to more c
This sunny landscape of oak trees in Chatsworth Park in Derbyshire is a wonderfully inspiring view, masses of Autumnal foliage back-lit by the warm sunshine. But how can we recreate that warmth with t