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► Robert Brindley Sunset on the Zattere, Venice, watercolour on 140lb (300gsm) cold
You will learn How to add texture to a pastel painting Using mark-making effectively for light and water Working with wet and dry pastel layers When I was asked to create a demo that included a variat
As a beginner many years ago, I was constantly disappointed with my first attempts at painting. I just couldn’t understand what the problem was. I thought I was following the instructions from either
You will learn Favourite techniques from the Impressionists Types of brush marks to use for snowfall Painting ‘white snow’ using a variety of colours With the snow season upon us, one way to add some
WHEN TRAVELLING IN SICILY, it is impossible not to be captivated by the strong identity of light. It’s almost as if it were a living creature: restless, always in motion, forever changing. The way it
Between a Constable resonating with Nature and a Castiglione blaring with turbulence, a picture by Algernon Newton captured the quietude of absolute stillness