Drawing myself

I once painted at a local primary school to demonstrate how an artist works. One little girl, aged eight, watched me, glued to my side Towards the end, she said: “I get it. First you do it all roughly

It’s hard to define what it is about a subject that makes you chose it as a starting point. This painting of a cat is an interesting example. Animals are not my usual subject matter but as soon as I s

I knew at a very young age I was an artist. It was a calling for me. I was also fortunate to have a mentor in my teenage years; he was an accomplished artist and professor of art at a local college. H

WITH more than a hint of nerves, I slide into an empty seat in the auditorium for my first university lecture. I look down the aisle hoping to see a friendly face, but there is no-one I recognise, whi

LUCIA LEYFIELD IS NOT AN ARTIST prone to grand statements. Her work speaks in subtle tones: sketchbook pages filled with weathered doorways, overheard conversations or fragments of wild gardens. A let

DRAWING IS GENERALLY where your practical artistic journey begins. A pencil or pen and a sheet of paper is all you need to doodle away. Outlines clarify information, making it easy to access the infor