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Robert Brindley The Moorings, Burano, Venetian Lagoon, watercolour on an Arches bloc
DECADES MAY HAVE PASSED, but Norfolk still has a claim on David Riches. Wooden sailing boats on the Broads, sunlight on the water, the quiet countryside – they still appear in his work. “If I see a tr
Works by certain artists often become symbolic of a particular era. This is an angle which has proved very popular with visitors to London’s National Gallery in recent years and, this month, welcomes
I STRUGGLED INTO MY LAYERS, picked up my light sketching kit and off I went up into the hills behind where I live. I wasn’t the first to arrive; halfway up the hill I could already hear the cries of e
MARK CORETH has gone small—not the man himself, ...
Capturing the immediacy of fighting and the writhing bodies of soldiers, as well as keeping narrative clarity, proved enormously difficult for painters depicting battles before the advent of photography. Michael Hall reveals how they rose to the challenge
Westminster Bridge is one of those quintessentially London locations that has been painted many times before, but with this piece, my aim was something different. Here I wanted to capture not the land