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Mike Barr muses on how photographs can be the artist’s greatest friend and at the
Being in the right place at the right time can be more important than long hours,
Many painters struggle when painting from a photographic reference and the problem often is, that we can easily assume that if our painting does not match the photo, it is a failure. The issue is an i
Paul Hill considers… Kebab Paper, Leeds 2002, ...
Damien Demolder considers...
Capturing the immediacy of fighting and the writhing bodies of soldiers, as well as keeping narrative clarity, proved enormously difficult for painters depicting battles before the advent of photography. Michael Hall reveals how they rose to the challenge