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Caroline Saunders talks to Keith Bennett, The Artist award winner at last year’s
How do you balance the realistic and stylistic in a painting? I like to combine realistic depictions of a landscape with stylistic flourishes that make it a personal vision. My imagery is a visual dia
There are many reasons that an artist’s ambitions can be thwarted, including the decision to become a teacher. Later this month, an exhibition will shine a light on talent obscured by a career in the classroom
What paints do you favour and why? I use mostly Golden Heavy Body or Fluid Acrylics. The colour is phenomenal and much stronger than other makes. Mixed media technique is another favourite: I can incl
It’s hard to define what it is about a subject that makes you chose it as a starting point. This painting of a cat is an interesting example. Animals are not my usual subject matter but as soon as I s
The vibrancy in Cathy Pearce’s work comes from the high percentage of pigment in her pastels. Her expressive and wild pastel painting Bright and Early was winner of The Artist award in the recent Past
DRAWING IS GENERALLY where your practical artistic journey begins. A pencil or pen and a sheet of paper is all you need to doodle away. Outlines clarify information, making it easy to access the infor