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Amanda Hyatt demonstrates how to use a reduced colour palette to create a moody w
I STRUGGLED INTO MY LAYERS, picked up my light sketching kit and off I went up into the hills behind where I live. I wasn’t the first to arrive; halfway up the hill I could already hear the cries of e
Every painting’s varying subject matter and scale offers us distinct opportunities and challenges. Before I start any project, I like to consider what I want to convey, what opportunities and challeng
Into the white - negative painting for dramatic brightness This time I am looking at uses of ‘white’ paper in a painting to suggest a light source, exploiting the benefits of light bouncing back from
The origins of the blue vase I lived for several years in an Art Deco flat in Southwest London. I would visit local markets around the capital in search of interesting decorative pieces, and on one oc
Autumn brings a splash of golden warmth, when leaves start transforming from green to rich golds and russet reds. It can be quite daunting to know where to start when interpreting a mass of foliage wh