Europe
Asia
Oceania
Americas
Africa
In this abridged extract from her new book, Painting Skies in
‘The real subject of every painting is light.’ CLAUDE MONET WHENEVER I’M PAINTING A PIECE, I am constantly appraising each movement, blend and nuance along the way. When you break it down, the number
Sometimes the sky in your painting can be quite plain and isn’t meant to be a major part of the subject matter. On other occasions, however, it may be the subject itself or create drama and contrast i
Extremes in dark and light are effective tools in creating punchy focal points. I have painted lots of sunny, acrylic street scenes – mainly backlit – and really enjoyed dabbing in the sparkly highlig
In my opinion, British summers are rather fantastic, especially when spent in a garden. Even if you’re not naturally green-fingered, being a painter gives you a wonderful opportunity to enjoy and enga
SOMETIMES THE INSPIRATION FOR YOUR NEXT PAINTING can be right in front of you – literally. Trying to find the correct subject with great lighting and composition is quite an art: a lot of images won’t
Follow along as Eliza Ivanova explains her process for colouring artwork digitally without losing that innate sketchbook charm
