An oil painter’s approach

I STRUGGLED INTO MY LAYERS, picked up my light sketching kit and off I went up into the hills behind where I live. I wasn’t the first to arrive; halfway up the hill I could already hear the cries of e

Into the white - negative painting for dramatic brightness This time I am looking at uses of ‘white’ paper in a painting to suggest a light source, exploiting the benefits of light bouncing back from

Into the white - negative painting for dramatic brightness This time I am looking at uses of ‘white’ paper in a painting to suggest a light source, exploiting the benefits of light bouncing back from

Every painting’s varying subject matter and scale offers us distinct opportunities and challenges. Before I start any project, I like to consider what I want to convey, what opportunities and challeng

When I came across a gorgeous photo of a red squirrel, I felt the urge to immortalise his cheeky face and create the tactile textures on the tree trunk that the squirrel was hiding behind. The out-of-

THIS ARTIST IS A PROFESSIONAL working from her London studio in a mix of oils, charcoals and pastels. In addition to portrait painting, she teaches privately and holds weekly classes, while she has ex