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Paul Talbot-Greaves relishes painting in autumn, when rich colour and low light abounds.
Painting a street scene in acrylics can be tricky, as you contend with rapid drying times and trying to capture too much detail. If your pictures look flat or confused, try to remember that acrylic su
What paints do you favour and why? I use mostly Golden Heavy Body or Fluid Acrylics. The colour is phenomenal and much stronger than other makes. Mixed media technique is another favourite: I can incl
Peter Marriott discusses simple ways of capturing the look of the most romantic of seasons.
How do you balance the realistic and stylistic in a painting? I like to combine realistic depictions of a landscape with stylistic flourishes that make it a personal vision. My imagery is a visual dia
I want to pass on my expressive approach to painting still lifes from observation using mixed media. I find this way of working freeing and fun. When a painting is started with an attitude of freedom
DRAWING IS GENERALLY where your practical artistic journey begins. A pencil or pen and a sheet of paper is all you need to doodle away. Outlines clarify information, making it easy to access the infor