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Paul Talbot-Greaves relishes painting in autumn, when rich colour and low light abounds.
You will learn Working in acrylic layers Expressive mark making and adding tonal contrast Painting with a limited palette Whenever I head to the Lake District, I hope for nice weather, but prepare for
When painting from a reference photo, it’s fair to say that composition is already there for you. But when we paint in the great outdoors, it suddenly becomes very difficult. You have a wide periphera
THIS STEP-BY-STEP LOOKS AT RECESSION, along with the creative use of opaque White Gouache, which is usually applied to the dry surface to reinstate or create highlights. However, here it works beautif
When most of us think of painting, we picture a brush sweeping across canvas or paper. Brushes are indispensable, but they are just the beginning. A whole world of alternative tools can expand your cr
Awash is a fundamental watercolour technique and so it makes sense to start these twelve articles by delving into their beauty with a look at how they are created and interact with one another to buil
As a beginner many years ago, I was constantly disappointed with my first attempts at painting. I just couldn’t understand what the problem was. I thought I was following the instructions from either