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In the third of his five-part series on loose and lively painting,
Acclaimed landscape artist Sarah Adams shares how the tides, geology and ever-shifting light of the Cornish coast shape her immersive oil paintings
DRAWING IS GENERALLY where your practical artistic journey begins. A pencil or pen and a sheet of paper is all you need to doodle away. Outlines clarify information, making it easy to access the infor
I want to pass on my expressive approach to painting still lifes from observation using mixed media. I find this way of working freeing and fun. When a painting is started with an attitude of freedom
BEFORE SARAH JANE BROWN BECAME A PAINTER, she learned to read the sea. Not in the romanticised, windswept sense; but practically, viscerally, day after day. With over two decades working on the water
The vibrancy in Cathy Pearce’s work comes from the high percentage of pigment in her pastels. Her expressive and wild pastel painting Bright and Early was winner of The Artist award in the recent Past
Rock pools at Freshwater, Daler-Rowney Aquafine Watercolour Artboard (cold pressed surface), 11¾x16½in (29.5x42cms) This is a painting of rock pools near Freshwater on the Isle of Wight. Whilst I was