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In the first of six articles exploring the medium of wat
Capturing the immediacy of fighting and the writhing bodies of soldiers, as well as keeping narrative clarity, proved enormously difficult for painters depicting battles before the advent of photography. Michael Hall reveals how they rose to the challenge
Into the white - negative painting for dramatic brightness This time I am looking at uses of ‘white’ paper in a painting to suggest a light source, exploiting the benefits of light bouncing back from
THIS ARTIST IS A PROFESSIONAL working from her London studio in a mix of oils, charcoals and pastels. In addition to portrait painting, she teaches privately and holds weekly classes, while she has ex
DECADES MAY HAVE PASSED, but Norfolk still has a claim on David Riches. Wooden sailing boats on the Broads, sunlight on the water, the quiet countryside – they still appear in his work. “If I see a tr
Vermeer: A Life Lost and Found Andrew Graham-Dixon ...