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In the second of six articles exploring the medium of wa
After early profligate years in Melton Mowbray, Leicestershire, Francis Grant traded sporting scenes for portraits and climbed the ladder to become president of the Royal Academy. A forthcoming exhibition at Dickinson does justice to his drawing
Into the white - negative painting for dramatic brightness This time I am looking at uses of ‘white’ paper in a painting to suggest a light source, exploiting the benefits of light bouncing back from
Capturing the immediacy of fighting and the writhing bodies of soldiers, as well as keeping narrative clarity, proved enormously difficult for painters depicting battles before the advent of photography. Michael Hall reveals how they rose to the challenge
From rustic barns to Riviera villas, Pablo Picasso’s studios were engines of invention. Picasso: From the Studio at the National Gallery of Ireland, in partnership with Musée national Picasso-Paris, t
I STRUGGLED INTO MY LAYERS, picked up my light sketching kit and off I went up into the hills behind where I live. I wasn’t the first to arrive; halfway up the hill I could already hear the cries of e