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Martin Dutton looks at abstraction from observed natural and man-mad
From rustic barns to Riviera villas, Pablo Picasso’s studios were engines of invention. Picasso: From the Studio at the National Gallery of Ireland, in partnership with Musée national Picasso-Paris, t
Capturing the immediacy of fighting and the writhing bodies of soldiers, as well as keeping narrative clarity, proved enormously difficult for painters depicting battles before the advent of photography. Michael Hall reveals how they rose to the challenge
DECADES MAY HAVE PASSED, but Norfolk still has a claim on David Riches. Wooden sailing boats on the Broads, sunlight on the water, the quiet countryside – they still appear in his work. “If I see a tr
SOMETIMES MAKING LIFE SIMPLER FOR YOURSELF and avoiding overthinking a process gets you further. In painting terms, using flat colours does exactly that and it may even prove to hold the key to more c
Every painting’s varying subject matter and scale offers us distinct opportunities and challenges. Before I start any project, I like to consider what I want to convey, what opportunities and challeng
My life in the cheese world stemmed from a geeky fascination with microbial life and how those living microbes can change a food product. I started painting through a fascination with soil microbiolog