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Paul Talbot-Greaves argues the case for acrylic mediums
SOMETIMES MAKING LIFE SIMPLER FOR YOURSELF and avoiding overthinking a process gets you further. In painting terms, using flat colours does exactly that and it may even prove to hold the key to more c
THIS PORTRAIT BEGAN LIFE as a pile of old magazines: pages full of colour, text and typography just waiting to be reimagined. I’ve always loved how collage can transform the ordinary into something co
Into the white - negative painting for dramatic brightness This time I am looking at uses of ‘white’ paper in a painting to suggest a light source, exploiting the benefits of light bouncing back from
Groundbaits aren’t cheap, but by using additives you’ll often find less bait is needed to get the same amount of attraction, helping to keep costs down
In the September issue of Leisure Painter and The Artist, I presented my top 10 tips for painting outdoors on location. This month, I share my tips for painting indoors. An indoor painting space is an