A day in the life of jenny aitken , rsma

BEFORE SARAH JANE BROWN BECAME A PAINTER, she learned to read the sea. Not in the romanticised, windswept sense; but practically, viscerally, day after day. With over two decades working on the water

Can you describe a typical day as a professional working artist? ‘I wake like clockwork at 4am. Since childhood I have been an early riser and find no difficulty in starting early. I settle at the com

I knew at a very young age I was an artist. It was a calling for me. I was also fortunate to have a mentor in my teenage years; he was an accomplished artist and professor of art at a local college. H

Can you describe a typical day as a professional working artist? ‘I wake like clockwork at 4am. Since childhood I have been an early riser and find no difficulty in starting early. I settle at the com

What paints do you favour and why? I use mostly Golden Heavy Body or Fluid Acrylics. The colour is phenomenal and much stronger than other makes. Mixed media technique is another favourite: I can incl

Acclaimed landscape artist Sarah Adams shares how the tides, geology and ever-shifting light of the Cornish coast shape her immersive oil paintings