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In her history of art series, Sarah Edmon
Painting wildlife is beset with difficulties not often experienced with other genres. This style of painting can be divided into many categories. One of the problems of painting wildlife is that anima
Carlo Bugatti believed that any object could be a work of art, paving the way for his children, elegant Rembrandt and genial Ettore, to sculpt supple, predatory panthers and craft automotive masterpieces. Charles Harris traces their lives
Offering unquestioning affection as well as a source of inspiration, the canine muse really is the artist’s best friend, discovers Agnes Stamp
Exhibition of the week Seeing Each Other: Portraits ...
Any painter who has tackled the challenge of capturing wildlife will know it presents one obstacle more significant than any other: movement. Before the development of photography, this challenge was
It’s 1905, the turn of the century, and Henri Matisse is pushing colour to its limits. The outwardly conservative and modest man, well-dressed lawyer turned artist, is now 36 years old and gaining mom