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In her history of art series, Sarah Edmon
Painting wildlife is beset with difficulties not often experienced with other genres. This style of painting can be divided into many categories. One of the problems of painting wildlife is that anima
Carlo Bugatti believed that any object could be a work of art, paving the way for his children, elegant Rembrandt and genial Ettore, to sculpt supple, predatory panthers and craft automotive masterpieces. Charles Harris traces their lives
Offering unquestioning affection as well as a source of inspiration, the canine muse really is the artist’s best friend, discovers Agnes Stamp
Exhibition of the week Seeing Each Other: Portraits ...
Elephant colours Paynes Grey, Ivory Black, Alizarin Crimson, Burnt Umber, Cerulean Blue, Titanium White. Background colours Burnt Umber, Alizarin Crimson, Prussian Green, Titanium White, Cadmium Green
Maurice Ravel has been an enduring part of my world, both as a performer and teacher. As a little girl I played the Mouvement de menuet from his Sonatine at a piano competition, which the renowned pia