Demonstration plockton, west highlands

I STRUGGLED INTO MY LAYERS, picked up my light sketching kit and off I went up into the hills behind where I live. I wasn’t the first to arrive; halfway up the hill I could already hear the cries of e

Old buildings tumbling into decay have always fascinated me as a painting subject, and adding that time-worn, tatty appearance can infuse your work with an extra dimension that will increase its appea

Westminster Bridge is one of those quintessentially London locations that has been painted many times before, but with this piece, my aim was something different. Here I wanted to capture not the land

Westminster Bridge is one of those quintessentially London locations that has been painted many times before, but with this piece, my aim was something different. Here I wanted to capture not the land

Into the white - negative painting for dramatic brightness This time I am looking at uses of ‘white’ paper in a painting to suggest a light source, exploiting the benefits of light bouncing back from

Into the white - negative painting for dramatic brightness This time I am looking at uses of ‘white’ paper in a painting to suggest a light source, exploiting the benefits of light bouncing back from