Simplification, tonality and composition

DECADES MAY HAVE PASSED, but Norfolk still has a claim on David Riches. Wooden sailing boats on the Broads, sunlight on the water, the quiet countryside – they still appear in his work. “If I see a tr

Pierre d’Alancaisez on Art COURTESY OF CHENG-LAN ART ...

Twenty years in the making, Elizabeth Nast’s style has evolved from an interest in urban scenes, people, history, psychogeography and humour. Like William Hogarth, she strives to record and capture th

AFTER SCHOOL, CAROLINE POOL could have easily applied to her local college to further her art education. Yet, being the last of four children who were all supremely academic, negotiating with her fath

Twenty years in the making, Elizabeth Nast’s style has evolved from an interest in urban scenes, people, history, psychogeography and humour. Like William Hogarth, she strives to record and capture th

In winter, when the art school here at Benton End closed for the year and the garden fell quiet, Cedric Morris would head to warmer climes to escape the chill of his 16th-century house, but also to pa