Westminster bridge in the mist

Westminster Bridge is one of those quintessentially London locations that has been painted many times before, but with this piece, my aim was something different. Here I wanted to capture not the land

I STRUGGLED INTO MY LAYERS, picked up my light sketching kit and off I went up into the hills behind where I live. I wasn’t the first to arrive; halfway up the hill I could already hear the cries of e

‘Houses of Parliament’ series by Claude Monet

Works by certain artists often become symbolic of a particular era. This is an angle which has proved very popular with visitors to London’s National Gallery in recent years and, this month, welcomes

Middleland: Dispatches from the Borders Rory Stewart (Jonathan ...

Into the white - negative painting for dramatic brightness This time I am looking at uses of ‘white’ paper in a painting to suggest a light source, exploiting the benefits of light bouncing back from