On joy and sorrow

From The Bottom Of An Old Grandfather Clock (reissue, 2004) DEAD OCEANS

At the dawn of the new millennium, Matt Johnson was in a dark place. Over the previous two decades, the creative engine and sole permanent member of The The had built a devoted following for his inten

From the bayou to Woodstock and back – the easygoing adventures of Bobby Charles. By John Mulvey.

Fifty years on from their first successes, Roger McGuinn, the 12-string architect of THE BYRDS , tells Uncut about their exceptional first 18 months – and his relationship with Gene Clark. As the young group make their jet-powered escape from the folk think tank, we hear about making the scene on the Strip, outraging Iowa and a muted response in the United Kingdom. But ultimately how “Eight Miles High” became the spectacular conclusion of the band’s first era. “I almost left The Byrds entirely to go and be in this space band With Dino Valente,” McGuinn tells John Robinson

London’s post-punk seismographers pick up more weird vibrations on their third album. By Victoria Segal. Illustration by Cold War Steve.

Mike Patton and the Avett Brothers join forces to create a work of immense beauty.