‘the classic westerns are on a level of the best poetry’

From his unnerving shorts to his three previous feature films (Hereditary, Midsommar, Beau is Afraid), Ari Aster is no stranger to controversy, but Eddington, his neo-western set during the height of

Luther Ford is sitting in the cafe at the BFI on the South Bank in London when Big Issue arrives. He’s casually dressed in baggy T-shirt and shorts, baseball cap, trainers. But he has a bag full of cl

THE ACTOR’S EMOTIONAL DEPTH ON SCREEN HAS SKYROCKETED HIM TO THE TOP OF EVERY DIRECTOR’S WISH LIST. NOW, WITH TWO NEW FILMS ON THE HORIZON – A HEIST THRILLER AND A REMAKE OF A SHAKESPEARE CLASSIC – HE REFLECTS ON HIS UNSTOPPABLE ASCENT

The Thursday Murder Club 1hr 58mins (12A) Faithful ...

HOW A CAREER CRIMINAL PULLED SHANE BLACK BACK TO FILMMAKING WITH PLAY DIRTY

John Maybury was a fellow graduate of the Derek Jarman school of filmmaking, and it was in those heady, early days that he first became aware of Tilda Swinton. The pair worked closely on two challengi