Bob dylan sees himself with a clear eye

No one notices Bruce Springsteen. He makes no effort to hide—black T-shirt, blue jeans, Wayfarer sunglasses, honky-tonk cowboy boots—but for a few minutes, the most famous son of the Jersey Shore achi

BOB DYLAN ’ S 18th BOOTLEG SERIES INSTALMENT – THROUGH THE OPEN WINDOW – IS AN AUDIO ANALOGUE TO A COMPLETE UNKNOWN: AN UNFURLING DOCUMENT OF A SEARING YOUNG TALENT IN THE ACT OF BECOMING. BUT BECOMING WHAT? ROCKER? FOLKIE? LOVER? POET? POLITICIAN? DIGGING INTO PREVIOUSLY UNRELEASED MUSIC FROM 1956 TO ’63, MOJO MARVELS AT DYLAN’S FIRST GREAT PHASE ALONG WITH ITS STILL-STUNNED EYEWITNESSES. “IT WAS EARTH-SHAKING,” THEY TELL DORIAN LYNSKEY .

BRUCE SPRINGSTEEN’S 1982 ALBUM NEBRASKA WAS AN INTIMATE ABOUT-TURN. AND AS DIRECTOR SCOTT COOPER AND STAR JEREMY ALLEN WHITE TELL US, SPRINGSTEEN: DELIVER ME FROM NOWHERE AIMS FOR THE SAME…

THE BEST OF GREENWICH VILLAGE 1950-1965

HE’S FRANK, HE’S NO-NONSENSE, AND HE’S ON A ROLL. WITH A TRIO OF BUZZY MOVIES OUT THIS YEAR, THE ACTOR TELLS US WHY HE STARES FEAR IN THE FACE

Sean Wilentz , co-producer and Dylan scholar