Let’s hear it for early music

Born in the titular Kent city in the late 60s, the Canterbury scene spawned some of prog’s most creative and quirky acts. From The Wilde Flowers and Soft Machine to Caravan and Gong, each had a distinctive sound and, in many cases, image that captured the hearts and minds of their followers. But the scene’s impact didn’t end in the 70s. Phil Howitt, Facelift editor and Hugh Hopper’s biographer, explores the new breed of progressive acts inspired by it, both consciously and unwittingly, and unearths the secrets of the ‘Canterbury chord’.

OVER THE LAST 40 YEARS, ELLE HAS CELEBRATED CREATIVITY OF ALL KINDS. HERE, A RANGE OF TODAY’S LEADING ARTISTS, WRITERS, PHOTOGRAPHERS AND DIRECTORS SHARE THE RITUALS, ROUTINES AND REALITIES BEHIND THEIR GREATEST WORKS, FROM MIND-BLOWING EXCEL SHEETS TO THE MAGIC OF THE DARK ROOM

While attendance at most churches has been in decline for many decades, a recent trend reversing this trajectory is emerging – that of attending evensong. Evensong (‘choral vespers’ if associated with

Rufus Bird considers whether the market is up or down

Sonatas Nos 1, 2, 3, 5 and 6; Sonata violino solo representativa in A major Rachel Podger (violin); Brecon Baroque Channel Classics CCS48525 70:08 mins No Arts Council funding was available to rescue

Robert Thicknesse on Opera TO ANY SENSIBLE ...