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Had Robin Holloway published Music’s Odyssey—described by its author as “an invitation to the glorious long voyage of Western classical music”—30 years ago, he might well have got away with it. By day

The perhaps wisely uncredited author of the piece about Tellef Johnson’s premiere of Sorabji’s Piano Sonata No. 5 (Full Score, February) seeks to claim ‘due seriousness’ for their report. The presumed

Music is a serious business. Whether it’s love, death, heartbreak, loneliness, power, conflict, destruction, sin, faith, hope, despair… you name it, every weighty subject and state of mind has been ta

● AS WE ALL KNOW, OPERA IS THE ...

Never meet your heroes, so the saying goes. Writing about a favourite subject – classical music – has permitted me occasional opportunity to test that theory. While the odd star might have tarnished a