After the premiere of his orchestral piece Coptic Light in 1986, Morton Feldman was described by an irate American critic as ‘the most boring composer in the history of music’. Listeners coming to his

Some years ago, Colin Matthews – a lifelong Londoner – bought himself a composing retreat on the Somerset/ Dorset borders and half-seriously confessed to fears that the view of cows from his windows ‘

The unconventional instrumentation favoured by Tortoise is an indicator of how many different lineups have always jostled for space under the jazz umbrella. The national treasure that is The Pete Alle

‘Searching for music is like searching for God… there’s an effort to reclaim the unmentionable, the unsayable, the unseeable, the unspeakable.’ So reckoned the great David Bowie, and few have ‘searche

There was once a time when native New Yorkers like Aaron Copland and Ferde Grofé composed odes to the American West; when Europeans like Darius Milhaud and Frederick Delius extolled the deep South; an

There’s a trepidatious growl from the contra-bassoon. Soon, it is joined by French horns, strings and timpani; the sound rumbles, snowballs – and then: abrupt silence. The piano sings into the stillne