Form & finesse

Between a Constable resonating with Nature and a Castiglione blaring with turbulence, a picture by Algernon Newton captured the quietude of absolute stillness

BASED IN NORTHERN IRELAND, Janice Lightowler works in oil and graphite. When working on her oil paintings, she uses only one small brush, irrespective of the size of the piece, and later attaches that

Chess sets and backgammon boards are a familiar sight on drawing-room tables, but one expert Highland woodworker is refashioning their forms in beautiful new ways, writes Mary Miers

John Constable painted Salisbury Cathedral and Leadenhall from ...

Spanning the 1920s to 1970s, Into Abstraction: Modern British Art and the Landscape, at Firstsite in Colchester, examines the evolution of abstract art during periods of sweeping social and political

Painting a local cricket match, Sherree Valentine-Daines received an invitation that changed her career and led her to become artist-in-residence at Goodwood