Blood, guts and hesitation

Theatre: Twelfth Night or What You Will ...

IT was no fun being dead – particularly when you had a cramp in your leg. Gemma raised her head from the dusty floor, looking for Tarquin. “Do I really have to stay here until the end of the act?” she

Riots and raccoons, haves and have-nots, Spanish and Swahili: Shakespeare in Central Park

For the National Theatre’s new artistic director Indhu Rubasingham, resilience and a bold strategy are crucial to shaping the British institution’s future. She gives Helena Lee an audience

John Maybury was a fellow graduate of the Derek Jarman school of filmmaking, and it was in those heady, early days that he first became aware of Tilda Swinton. The pair worked closely on two challengi

Purcell Dido and Aeneas Joyce DiDonato, Michael Spyres, Fatma Said et al; Il Pomo d’Oro/ Maxim Emelyanychev Erato 2173228488 52:43 mins It’s been a mystery why Joyce DiDonato appeared to have bypassed