In 1966, THE VELVET UNDERGROUND AND NICO brought together the worlds of avant-garde art, European cool and downtown rock’n’roll in one explosive package. Sixty years on, the survivors share tales of drugs, breakdowns, burnouts, blocked toilets and hospital beds – and, of course, the creation of some of the most important music ever made. “We only did things our way,” learns Tom Pinnock . “We were arrogant, perhaps, in thinking we knew best. We were also right. We did know best…”

Exaggerating her beetling monobrow and wispy dark moustache in self-portraits, the artist Frida Kahlo was a female force to be reckoned with, unafraid to pour her heart onto the canvas. Only last autu

Alice Loxton EleanorA 200-mile walk in search of England’slost queen352pp. Pan Macmillan. £22. Many are commemorated in stone, but few so grandly as Eleanor of Castile (d. 1290). Following her unexpec

Simone De Beauvoir The Image of HerTranslated by Lauren Elkin208pp, Penguin Vintage Classics, £14.99 The first reviews of Simone De Beauvoir’s novel Les Belles images (1966) were dismissive. Some crit

The photographer FANNY LATOUR-LAMBER Paris-based Fanny Latour-Lambert says ...

There is much to admire in Andrew Graham-Dixon’s study of Vermeer—but not its tendency to overinterpret the old master’s work “Johannes Vermeer is the most laconic of the Dutch old masters,” Andrew Gr