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A fast-paced whodunnit set in sixteenth-century Florence
RUSSELL WILLI
There is much to admire in Andrew Graham-Dixon’s study of Vermeer—but not its tendency to overinterpret the old master’s work “Johannes Vermeer is the most laconic of the Dutch old masters,” Andrew Gr
Alice Loxton EleanorA 200-mile walk in search of England’slost queen352pp. Pan Macmillan. £22. Many are commemorated in stone, but few so grandly as Eleanor of Castile (d. 1290). Following her unexpec
Philippe Ariès Pages RessuscitéesEdited by Guillaume Gros240pp. Cerf Éditions. €24. Given that Philippe Ariès wrote about man’s relation with his own mortality, it is piquant that the historian has be
Last April, a surprising photograph (see near right) appeared on the Wikipedia page devoted to Jeanne Duval, the long-term mistress of Charles Baudelaire and the “Black Venus” who inspired some of the
Michaelina Wautier is one of the most compelling rediscoveries in Baroque painting. Working in 17th-century Brussels, she tackled subjects usually reserved for men, producing still lifes, portraits an
Catapult Opera; Talea Ensemble/Neal Goren Pentatone PTC5187492 99:63 mins The history of Nadia Boulanger’s only full-length opera is a tortuous as Gabriele D’Annunzio’s libretto, in which Alexandre an