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Antonio Pappano’s final production at the Royal Opera House
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Catapult Opera; Talea Ensemble/Neal Goren Pentatone PTC5187492 99:63 mins The history of Nadia Boulanger’s only full-length opera is a tortuous as Gabriele D’Annunzio’s libretto, in which Alexandre an
Cappella Amsterdam; Noord Nederlands Orkest/ Daniel Reuss Pentatone PTC5187489 72:42 mins ‘He always was and still is ahead of everybody.’ The words of Stravinsky’s musical assistant and colleague, Ro
National Symphony Orchestra/ Gianandrea Noseda NSO NSO0022 75:12 mins Mahler’s mad-cap Seventh is the toughest of his symphonies to conceptualise and to execute. Lacking any explicit programme, two of
When a young Russian singer suggested to Tchaikovsky in 1877 that he compose an opera based on Eugene Onegin, Alexander Pushkin’s famous novel-in-verse, he dismissed it as a “crazy” idea. “Then, durin
Humour me, for a moment, and imagine these highly improbable courtroom proceedings: — ‘Detective Constable Green, explain to the court, if you will, how you came to the somewhat bold conclusion that M
Andrey Gugnin (piano) Hyperion CDA684712 83 mins This album of Russian ballet transcriptions sparkles like a glass bauble hanging amidst the fairy lights. Tchaikovsky and Stravinsky wrote so colourful