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Two critics locate themselves in seventeenth-century Netherlandish painting
Johannes Vermeer brightened his native Delft with luminous pictures of women caught in intimate moments, but the serenity of his work, of which he produced remarkably little, is at odds with a life mired in debt, as Carla Passino discovers
The Ear of the Beholder Huon Mallalieu (Thomas ...
© HEADER DRAWINGS BY MICHAEL HADDAD/HEART Leaves Byung-Chul ...
Andrew Graham-Dixon tells Carla Passino why he thinks we have read Vermeer wrong all along– and who the Girl with a Pearl Earring really is
Kerry James Marshall, ‘poised between narrative and allegory’
From gleaming presents to inebriating parties, discover five artists’ interpretations of the festive season